What is the ‘spaghetti’ at the top of my website?

In 1992, I had reached a point in one’s life, possibly a mid-life, not necessarily a crisis, but at a point where I felt I needed some help. Being fired from jobs, the tension in my marriage at the time, and more… Perhaps my tendency to dig in and be determined, avoid external help might have delayed the impulse to seek succour was a factor, but seek help I did.… More...

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I stare through my laptop screen, unwilling – no determined not to focus.
My unshaved chin rests on my arthritic hand. My dry lips uninterested in the fresh coffee steaming under me.
I wait for the meds to kick in – it’s late now, 11:03 AM perhaps they are beginning to work – that is how I able to talk to you now.

Surveillance and Art

Essay written for MFA in June 2019 (James Tregaskis all rights reserved)


Introduction
Surveillance has been with us throughout western history. The use of technology opens up opportunities for covert activities. Increasingly sophisticated methodologies are employed with each advance in technology.
In this paper I set out examples of surveillance, contrasting desirable and undesirable outcomes in its use. I present examples of recent and more sophisticated techniques of surveillance to raise the question – is surveillance out-of-control? Evidence suggests that the Internet has accelerated the advancement and aggregation of bad actors in the commercial arena to a toxic extent, a manifestation referred by commentators on surveillance as ‘surveillance capitalism’ . Could it be that the government-initiated high technology surveillance methods used on their populations are a good thing and perhaps necessary for the ultimate survival and benefit of mankind? The resultant asymmetry of power does not only lie in global corporations but is also held by governments. How has the evolution of surveillance and the questions it raised been dealt with by artists and how do they approach the subject?

A conversation on race

[old friend] …. sends me an email in response to my previous email containing a link to an obscure video ‘The Melting Pot’, written by Neil Shand and Spike Milligan in 1975 . It is very dated and poor quality, comprising the two main characters, played by Milligan and John Bird – both wearing brown makeup and speaking in typecast ‘stupid Indian’/’Peter Sellers-esque’ accents.

Last day of the MFA

Only a few hours remain before the final deadline to submit my documentation for The MFA in Computational Art that I have been immersed for the last two years.  I am left to consider where this leaves me.

The delightful company, the ideas, the camaraderie of fellow students and tutors, the thoughts and the preoccupying questions that bubble up: “what must I do now…?” these have all come to an abrupt stop.

Open Rights Group July 2019

Orgcon 2019

Following my visit to IFSEC I spent the day at Orgcon 2019, organised by the Open Rights group. Meeting was held at the modest premises of the Friends Meeting House in Euston Road. Contrast this with the enormous IFSEC exhibition held in the Excel Centre in June. I’ve already written about IFSEC and recall how Tony Porter the information Commissioner ridiculed the efforts of the likes of Open Rights Group in the opening keynote session (during his question and answer session).

Peter Fonda RIP

With my usual bout of insomnia, I read the obituary of Peter Fonda who has died, aged 79. Fonda was made famous by the film Easy Rider. Just now, an old friend, Tony sends me a WhatsApp message this morning. Tony, like me, a keen motorcyclist and lifelong friend. Tony co-ran London’s largest motorcycle showroom in 70’s; we grew up together riding motorcycles. Tony writes: “another style icon of our youth Peter Fonda is dead; he is more responsible for you riding a motorbike than you think”.

Clearing my mind

It’s already seven days beyond my tutor’s deadline. I am recompiling for the umpteenth time dlib and opencv after multiple attempts. I have to clear my mind I am surrounded with detritus from the last 10 years in my workshop. I find bottles of tomato chutney from 2011 and noxious homebrew essences from previous production runs, dating back from five years ago. I collect together the various coloured alcoholic liquids of various colours to re-distil them and  bleach the distillation apparatus, running clean water through it.

#Camera Day 2019

“Join the conversation #CameraDay2019!”

– I attend the keynote speech on 20th June by Tony Porter at IFSEC at the Excel in London.

My interest and surveillance drove me to register early on for this three-day event “bringing together more than 27,000 security professionals” the exhibition addressing threats like terrorism and cybercrime and exhibitors showing the latest surveillance products under one roof.

On with my tweed jacket and tie, jump on my motorcycle and ride down there.